Eighty One – Miles Davis

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Recorded in January 1965, E.S.P. is the first album by what is often referred to as Miles Davis ‘s second great quintet. The quintet comprising Davis, Wayne Shorter, Herbie Hancock, Ron Carter and Tony Williams would be the most long-lived of all Davis’s groups, and this was their first studio recording together.

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Miles – Miles Davis

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In the late 1950s and early 1960s, Davis recorded a series of albums with Gil Evans, often playing flugelhorn as well as trumpet. The first, Miles Ahead (1957), showcased his playing with a jazz big band and a horn section arranged by Evans. Songs included Dave Brubeck’s “The Duke,” as well as Leo Delibes’s “The Maids of Cadiz,” the first piece of European classical music Davis had recorded. Another distinctive feature of the album was the orchestral passages that Evans had devised as transitions between the different tracks, which were joined together with the innovative use of editing in the post-production phase, turning each side of the album into a seamless piece of music.

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A Thousand Miles (Vanessa Carlton)

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“A Thousand Miles “, originally titled “Interlude”, is a pop song written by American singer Vanessa Carlton and recorded for her album Be Not Nobody (2002). It was co-produced and co-arranged by Carlton and Ron Fair, and was released as the album’s first single in 2002. Her signature song, it became Carlton’s breakthrough hit and one of the most popular songs of the year. To date, it remains Carlton’s biggest hit in the United States, and her only single to reach the top ten of the Billboard Hot 100.The song had widespread success worldwide, reaching number one in Australia, where it was most successful, the top five in the United States and Ireland, and the top ten in the United Kingdom, France, Italy, and the Netherlands.It has been covered by numerous artists including Victoria Justice, Never See Tomorrow, David Archuleta, as well as being sampled by T.I., Terry Crews, Cheryl Cole and James McGee.

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The Theme – Miles Davis

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The New Miles Davis Quintet is an album by jazz musician Miles Davis released in 1956 on Prestige Records, catalogue 7014. It is the debut record by the Miles Davis Quintet, and generally known by the original title Miles as indicated on the cover.

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Flamenco Sketches – Miles Davis

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“Flamenco Sketches” is a jazz composition written by American jazz trumpeter Miles Davis and pianist Bill Evans. It is the fifth track on Davis’ 1959 album Kind of Blue, the best-selling jazz record of all time, and an innovative experiment in modal jazz. The track features Miles Davis, John Coltrane, Cannonball Adderley, Paul Chambers, Jimmy Cobb and Bill Evans.

The piece has no written melody, but is rather defined by a set of chord changes that are improvised over using various modes of the major scale of each tonality. Each musician separately chose the number of bars for each of the modal passages in his solo. Davis gets credit for the song form, but Evans is credited with the opening 4-bar vamp over Cmaj7 and G9sus4, which is the opening theme to his ballad improvisation “Peace Piece”. Because of the presence of this vamp, “Flamenco Sketches” is usually played as a ballad. The modes used in “Flamenco Sketches” are as follows:

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Israel – Miles Davis

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Sessions with Davis and Evans in 1962 resulted in the album Quiet Nights, a short collection of bossa novas that was released against the wishes of both artists: Evans stated it was only half an album, and blamed the record company; Davis blamed producer Teo Macero, whom he didn’t speak to for more than two years. This was the last time Evans and Davis made a full album together; despite the professional separation, however, Davis noted later that “my best friend is Gil Evans.”

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Boplicity – Miles Davis

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Birth of the Cool is a compilation album by American jazz musician Miles Davis, released in 1957 on Capitol Records. It compiles twelve tracks recorded by Davis’s nonet for the label over the course of three sessions during 1949 and 1950.Featuring unusual instrumentation and several notable musicians, the music consisted of innovative arrangements influenced by classical music techniques such as polyphony, and marked a major development in post- bebop jazz. As the title implies, these recordings are considered seminal in the history of cool jazz. Most of them were originally released in the 10-inch 78-rpm format and are all approximately three minutes long.

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Dig – Miles Davis

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Dig is an album by Miles Davis on Prestige Records, catalogue number 7012. It features tracks from a 1951 session at Apex Studios, remastered in 1956 by Rudy Van Gelder. Initially released in the twelve-inch format in 1956, Dig was later reissued as a CD album with additional tracks.After inaugurating the school of cool jazz with the Birth of the Cool recording sessions in 1949 and 1950, Davis almost immediately turned away from that sound in the early 1950s, to which this recording attests. Dig was also the jazz recording debut of saxophonist Jackie McLean.

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