East St. Louis Toodle-Oo – Duke Ellington

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“East St Louis Toodle-Oo ” is a composition written by Duke Ellington and Bubber Miley and recorded several times by Ellington for various labels from 1926-1930 under various titles. This song was the first charting single for Duke Ellington in 1927 and was one of the main examples of his early “jungle music”. This composition was covered by Steely Dan on their 1974 album Pretzel Logic.Recording history Ellington first recorded “Toodle-Oo” in November 1926 for Vocalion Records, which was released as Vo (1064). He recorded the composition twice more in early 1927 for Brunswick Records, the first version was not released at the time, but the second was released as Br (3480). He recorded his hit version in March 1927 for Columbia Records, under the name “the Washingtonians”. Along with recording “Toodle-Oo”, two other compositions were recorded at the same session, “Hop Head” and “Down in Our Alley Blues”, the former of which would be released as the B-side of Columbia 953-D.November 29, 1926 E-4110 Vocalion 1064;February 3, 1927 E-21636 E-21637 E-21538 Brunswick rejected;March 14, 1927 E-21872 Brunswick 3480, Brunswick 6801, Brunswick 80000, Vocalion 1064 (some later pressings);March 22, 1927 W 143705-3 Columbia 953-D;December 19, 1927 41245-1 Victor 21703;December 19, 1927 41245-2 Victor 21703, Bluebird B-6430, Montgomery Ward M-4889;January 19, 1928 W 400032-A OKeh 8638 (as “Harlem Twist”, by Lonnie Johnson’s Harlem Footwarmers);March,?, 1928 2944-A and B Cameo 8182, Lincoln 2837, Romeo 612;March?, 1928 108079-1 Pathe 36781, Perfect 14962 (as The Whoopee Makers) (identical to one of the above takes of 2944);February 9, 1932 71812-2 and 3 Victor L-16007 (33 1/3 10″ long playing transcription, first part of a 3 song medley);March 5, 1937 M-180-1 Master MA-101, Brunswick m7989 (as “The New East St. Louis Toodle-O”);February 7, 1956 Bethlehem Be BCP-60;Music East St. Louis Toodle-Oo” features a growling plunger-muted trumpet part played by co-composer Bubber Miley, one of the first jazz trumpeters to utilize the style. This style was imitated (and expanded upon) by later Ellington trumpeters Cootie Williams (1937 recording), and Ray Nance (1956 recording).

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Black Butterfly – Duke Ellington

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70th Birthday Concert is a live album by American pianist, composer and bandleader Duke Ellington recorded in England recorded at the Free Trade Hall in Manchester, England and originally released on the Solid State label in 1970. The album was later reissued on CD on the Blue Note label in 1995.

How to Learn The Piano Part

The two biggest costs of beginning piano lessons, is that of a new musical instrument, and new instructional material. It is possible to save a ton of money shop for getting an electronic keyboard instead of a grand keyboard, or perhaps purchase downloading an on-line course as opposed to a human music teacher. There`s so much to be said about having the ability to perform your treasured melodies and also the investment of time and money is at all times well worth it.

The Mooch – Duke Ellington

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Edward Kennedy “Duke” Ellington (April 29, 1899 _ May 24, 1974) was an American composer, pianist and bandleader of jazz orchestras. His career spanned over 50 years, leading his orchestra from 1923 until death.Though widely considered to have been a pivotal figure in the history of jazz, Ellington himself embraced the phrase “beyond category” as a “liberating principle,” and referred his music to the more general category of “American Music,” rather than to a musical genre such as “jazz.”

Born in Washington, D.C., he was based in New York City from the mid-1920s onwards, and gained a national profile through his orchestra’s appearances at the Cotton Club. In the 1930s they toured in Europe.Some of the musicians who were members of Ellington’s orchestra, such as saxophonist Johnny Hodges, are still, in their own right, considered to be among the best players in jazz, but it was Ellington who melded them into the best-known jazz orchestral unit in the history of jazz. Several members of the orchestra remained members for several decades. A master at writing miniatures for the three-minute 78 rpm record format, Ellington often composed specifically for the style and skills of his individual musicians, such as “Jeep’s Blues” for Hodges, and “Concerto for Cootie” for trumpeter Cootie Williams, which later became ” Do Nothing Till You Hear from Me ” with Bob Russell ‘s lyrics.Often collaborating with others, Ellington originated over a thousand compositions and his extensive oeuvre is the largest recorded personal jazz legacy, with many of his extant works having become standards. Ellington also recorded songs written by his bandsmen, for example Juan Tizol ‘s ” Caravan ” and ” Perdido ” which brought Spanish tinge to big-band jazz.After 1941, Ellington collaborated with composer-arranger-pianist Billy Strayhorn, whom he called his “writing and arranging companion”. With Strayhorn, he composed many extended compositions, or ‘suites’, as well as further shorter pieces. Following an appearance at the Newport Jazz Festival, Rhode Island in July 1956, he enjoyed a major career revival and, with his orchestra, now embarked on world tours. Ellington recorded for most American record companies of his era at some point, and appeared in several films. scoring several, and composed stage musicals.Due to his inventive use of the orchestra, or big-band, and thanks to his eloquence and extraordinary charisma, he is generally considered to have elevated the perception of jazz to an art form on a par with other traditional genres of music. His reputation increased after his death and he was awarded a special Pulitzer Prize in 1999.Gunther Schuller wrote in 1989: “Ellington composed incessantly to the very last days of his life. Music was indeed his mistress, it was his total life and his commitment to it was incomparable and unalterable. In jazz he was a giant among giants. And in twentieth century music, he may yet one day be recognized as one of the half-dozen greatest masters of our time.”

How to Learn The Piano Part

Long before the days of the internet, one had to leave their home and oftentimes made a big ordeal on getting to a shop to purchase sheet music. Now you have printable sheet music downloaded from the internet that saves your day. For those, that didn`t like purchasing music (ahem, students) they usually had to beg a friend or colleague to photocopy it from them.

Ko-Ko – Duke Ellington

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KO’s musical style borrows elements from hip hop, folk, rock, R&B and reggae. His songs mainly feature vocals and acoustic guitar played over hip hop beats and his sound has been compared to that of musician Everlast. Although he experimented with rapping early in his music career, he has stated in an interview that he wasn’t impressed by his own rapping ability and has focused his vocal efforts on singing.

KO is a fan of Nirvana and has cited Kurt Cobain as a musical influence _ “Kurt Kobain” is also the title of a single from his debut album. In the bio section of KO’s official website he also states that he is “still influenced by Toronto’s underground rap community” and lists Everlast, Kid Rock, Ani DiFranco, Thelonious Monk and Van Morrison as some of his favourite artists.

How to Learn The Piano Part

The first step to studying pop keyboard, is to learn the music notes of the keyboard and when to perform each one. Learning to read music is a skill you will have to develop eventually either to read tabs or even sheet music, and can greatly help you prepare more strongly for performances. It is possible to also begin to have an understanding of chords faster as you`ll recognize the tones quicker, and give you a head-start with any piano training method. Practice everyday so it is possible to learn about off of what you rehearsed the previous day.

Do Nothin’ Till You Hear From Me – Duke Ellington

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Working as a freelance sign-painter from 1917, he began assembling groups to play for dances, and in 1919 met drummer Sonny Greer from New Jersey who encouraged Ellington’s ambition to become a professional musician. Through his day job, Ellington’s entrepreneurial side came out: when a customer would ask him to make a sign for a dance or party, he would ask them if they had musical entertainment; if not, Ellington would ask if he could play for them. He also had a messenger job with the U.S. Navy and State Departments. Ellington moved out of his parents’ home and bought his own as he became a successful pianist. At first, he played in other ensembles, and in late 1917 formed his first group, “The Duke_s Serenaders” (“Colored Syncopators”, his telephone directory advertising proclaimed). He was not only a member, but also the booking agent. His first play date was at the True Reformer’s Hall, where he took home 75 cents.

How to Learn The Piano Part

Study each tone of the keyboard in the middle register either through visually remembering them, or by learning to read from written music, this is your first step in understanding the right way to play pop piano tunes. Studying to read music is a skill you will have to develop eventually either to read tablatures or perhaps sheet music, and can greatly enable you to prepare more strongly for performances. It also may help you to fully grasp basic harmonies should you go on to getting an online keyboard course or perhaps a keyboard educator. Good practice habits for instance working everyday will allow you to to succeed faster.

I’m Beginning To See the Light – Duke Ellington

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“I’m Beginning to See the Light” is a popular song and jazz standard, written by Duke Ellington, Don George, Johnny Hodges, and Harry James, and published in 1944. Ella Fitzgerald and the Ink Spots featuring Bill Kenny recorded a version in 1945, that was on the pop song hits list for six weeks in 1945, reaching #5. A competing 1945 recording by Harry James and his Orchestra, with lead vocal by Kitty Kallen reached #1 for two weeks. Duke Ellington also released in 1945 a version, which reached the top ten.

How to Learn The Piano Part

Joe Jackson and Elton John are just two example of master piano players and music writers of memories that stick in the head. Popular music masters also often create about a love for practicing cinematic rock keyboard with traditional flourishes so it may help to own some basic base in traditional music principle.

Stomp Look and Listen – Duke Ellington

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Historically Speaking is an album by American pianist, composer and bandleader Duke Ellington recorded for the Bethlehem label in 1956. The album features updated arrangements of many of Elington’s early compositions.

How to Learn The Piano Part

Joe Jackson and Elton John are just two example of master piano players and music writers of memories that stick in the head. Sometimes it`s in the lyrics that the magic of wonderful music is released – think of Louis Armstrong or Joe Cocker.

Creole Love Call (Creole Love Song) – Duke Ellington

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“Creole Love Call” is a jazz standard, most associated with the Duke Ellington band and Adelaide Hall. ;Ellington first recorded it in 1927 and was issued a copyright for it as composer the following year. However the main melody appears earlier in the Joe “King” Oliver composition “Camp Meeting Blues” which Oliver recorded with his Creole Jazz Band in 1923. Apparently Ellington reedman Rudy Jackson had presented the melody to Ellington claiming it was his own composition.After Ellington’s recording came out, Joe Oliver attempted to sue for payment of royalties and composer credit. The lawsuit failed due to problems with Oliver’s original paperwork resulting in Oliver not holding a valid copyright. Ellington fired Jackson over the incident, bringing in Barney Bigard as his replacement.

How to Learn The Piano Part

Use the web to discover your favourite keyboard music and to learn piano faster that ever thought possible. Many people get a hold of a quality on-line instructing program and then use our internet site to help them to find the sheet music require for it. A piano-player who relies on conventional keyboard instructors generally fares well even when trying to study rock keyboard music by simply branching out and playing the pieces you really want to play.

Take The ‘A’ Train – Duke Ellington

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The use of the Strayhorn composition as the signature tune was made necessary by a ruling in 1940 by the American Society of Composers and Publishers (ASCAP). When ASCAP raised its licensing fees for broadcast use, many ASCAP members, including Ellington, could no longer play their compositions over radio, as most music was played live on radio in those days. Ellington turned to Billy Strayhorn and son Mercer Ellington, who were registered with ASCAP competitor BMI to “write a whole new book for the band,” Mercer recalled.” ‘A’ Train” was one of many songs written by Strayhorn, and was picked to replace “Sepia Panorama” as the band’s signature song. Mercer recalled that he found the song in a trash can after Strayhorn discarded a draft of it because it sounded too much like a Fletcher Henderson arrangement. The song was first recorded on January 15, 1941 as a standard transcription for radio broadcast. The first (and most famous) commercial recording was made on February 15, 1941.The title refers to the then relatively new A subway service that runs through New York City, going at that time from eastern Brooklyn (opened in 1936) up into Harlem and northern Manhattan, using an express track section (opened in 1932) in Manhattan.Take the ‘A’ Train” was composed in 1939, after Ellington offered Strayhorn a job in his organization and gave him money to travel from Pittsburgh to New York City. Ellington wrote directions for Strayhorn to get to his house by subway, directions that began, “Take the A Train”. Strayhorn was a great fan of Fletcher Henderson’s arrangements. “One day, I was thinking about his style, the way he wrote for trumpets, trombones and saxophones, and I thought I would try something like that,” Strayhorn recalled in Stanley Dance ‘s The World Of Duke Ellington.Although Strayhorn said he wrote lyrics for it, the recorded first lyrics were composed by, or for, the Delta Rhythm Boys. The lyrics used by the Ellington band were added by Joya Sherrill, who was 20 at the time (1944). She made up the words at her home in Detroit, while the song played on the radio. Her father, a noted Detroit Black activist, set up a meeting with Ellington. Owing to Joya’s remarkable poise and singing ability and her unique take on the song, Ellington hired her as a vocalist and adopted her lyrics. The vocalist who most often performed the song with the Ellington band was trumpeter Ray Nance, who enhanced the lyrics with numerous choruses of scat singing. Nance is also responsible for the trumpet solo on the first recording, which was so well suited for the song that it has often been duplicated note for note by others.Based loosely on the chordal structure of ” Exactly Like You “, the song combines the propulsive swing of the 1940s-era Ellington band with the confident sophistication of Ellington and the black elite who inhabited Sugar Hill in Harlem. The tune is in AABA form, in the key of C, with each section being a lyric couplet. (The Ellington band’s version begins in C and rises to the key of Eb after the second chorus.);Ella Fitzgerald sang and recorded this song many times from 1957 onwards, for a live version with Ella scatting, see her 1961 Verve release Ella in Hollywood. Midwestern Rockers, Chicago added their version in 1995 on their back-to-the-roots-disc, Night & Day Big Band. Jo Stafford recorded a comedy version of the song under the pseudonym, Darlene Edwards.Legacy The Rolling Stones used the song as the introductory track on their 1982 live album “Still Life” (American Concert 1981).In the 1984 film, Moscow on the Hudson, Robin Williams plays saxophone with a Russian circus, but wants to be a jazz musician. He is seen in the film playing “Take the ‘A’ Train.In 1999, National Public Radio included this song in the “NPR 100”, in which NPR’s music editors sought to compile the one hundred most important American musical works of the 20th century.The Voice of America Jazz Hour, hosted by Willis Conover, used this song as its theme.The Cherry Poppin’ Daddies used the song’s opening piano lick (albeit in a different key) to open their song ‘Ding-Dong Daddy of the D Car Line’.The opening number to the musical In The Heights includes a brief homage to this song when Usnavi sings, “You must take the ‘A’ Train / Even farther than Harlem to northern Manhattan and maintain / Get off at 181st and take the escalator / I hope you’re writing this down, I’m gonna test ya later.In 2009, the PBS series History Detectives aired an episode revealing that an original set of publishing plates for the song were in the possession by Garfield Gillings of Brooklyn, NY. Gillings stated that he found the plates at least twenty years earlier in a dumpster. Reporter Tukufu Zuberi brought the plates to the Smithsonian Institution, where curator John Hasse, who oversees the Duke Ellington collection, certified that the plates were most likely used for the first publications for Ellington’s Tempo Publishing Company. Archived copies of the published sheet music were nearly identical to prints that had been made from the publishing plates.Lyrics Over the years the lyrics have contained many variations, as is not unusual for songs of this era. Those below are representative only, and may not be the original Sherrill lyrics;You must take the A Train;To go to Sugar Hill way up in Harlem;If you miss the A Train;You’ll find you’ve missed the quickest way to Harlem;Hurry, get on, now, it’s coming;Listen to those rails a-thrumming (All Aboard!);Get on the A Train;Soon you will be on Sugar Hill in Harlem;Seminal performances of the song Duke Ellington, instrumental version, Never No Lament: The Blanton-Webster Band (Bluebird, 1941 performance);Duke Ellington, Joya Sherrill, vocal, first vocal version, The Carnegie Hall Concerts: January 1946 (Prestige, 1946 performance);Duke Ellington, Betty Roche, vocal, The 1950s: The Singers (Columbia, 1952 performance);See also List of train songs;External links Take the ‘A’ Train” at jazzstandards.com;Joya Sherrill at the PBS Jazz history page;How Ellington Took ‘The A Train'”, audio feature at npr.org;Duke Ellington Plates, PBS History Detectives

How to Learn The Piano Part

Your classical music educator may find it difficult to teach you Billy Joel or perhaps Elton John. Try to study as much traditional music when you can as familiarity with it will make you a more thorough and complete musician. Never underestimate simply how much traditional music can assist you comprehend the various aspects within all music like tune, tempo, beat, etc.